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From the top: Roasted Monkfish with Red Wine Ham
Hock Sauce. Rustic and rootsy, the sturdy monkfish is the perfect partner for
the rich and decadently vinous pork stew on which it sits. A modern bistro
classic. Seared Tuna with Chimichurri. The simple and spare elegance of this
dish is outmatched only by the perfect flavor marriage of rich tuna and minty-tart
herb sauce. Sautéed Sweetbread in Porcini and Clam Sauce. A crisp disk of
perfectly moist sweetbread sits atop a deep and rich braise of earthy mushrooms
and explosively briny steamed clams. A real eater’s dish.
Fine Print
GETTING THERE, GETTING IN: Reservations are a must in prime time. Meter parking
is available, as are nearby ramps.
HOURS: M–Sa 5 p.m.–1 a.m.
NOISE LEVEL: Moderate.
KIDS: No children’s menu, but homemade pasta, burgers, and fries on the menu.
Kitchen will accommodate requests. Boosters and highchairs available.
CARDS: AmEx, MC, Visa.
ENTRÉE PRICES: $7–$23.
EXTRAS: Thirty-bottle wine lists don’t usually earn brownie points, but every
drop of vino in this swank little joint is designed to pair with the menu. For
most restaurants, building a wine list is an exercise in a “look at me”
showmanship that results in a lack of congruence between wine and cuisine. Less
really can be more.
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Address
112 N. 3rd St., Mpls., 612-343-7696
The Scene
112 Eatery sits like a jewel in the middle of a dark block, on the ground floor
of the historic Amsterdam Building. The small, beautifully lit, and energetic
room is framed with brick, wood paneling, and hardwood floors. There’s a small
six-seat bar with a precious stained glass backsplash, bottles of scotch and
vodka twinkling in its glow. The layout of small wooden tables and chairs
ringing the vintage bar with a line of comfy booths along the wall reminds me of
old neighborhood grills in big East Coast cities. Restaurant design god Adam
Tihany once said that a perfectly designed restaurant should make everyone look
good in it, from the first person seated to the last cus-tomer at the bar. The
eclectic gaggle of downtown food groupies, Warehouse District denizens, and
late-night club crawlers never looked better.
Our Take
112 Eatery is the best new restaurant to open in town in years. La Belle Vie
alum Nancy St. Pierre and husband, Isaac Becker, most recently chef at Café
Lurçat, have a tightly focused philosophy that is bull’s-eye right. They use
impeccable ingredients and do whatever needs to be done to get peak flavor and
texture. Sautéed oyster and black trumpet mushrooms served under crisped diver
scallops are simple, elegant, and perfect. Homemade stringozzi (a long, thick,
fresh pasta) with a slow-cooked lamb sauce takes a day to pull together. These
are two opposite sides of real cookery.
Of the thirty items on the menu, only six are limited to full portion size,
so anyone on any budget at any hour can find the right-sized meal. Pillowy
gnocchi are paired with artichokes, which show up again with a fumée-tinged
cream under a sautéed slice of grouper. Oysters are served by the piece, bacon
and eggs come on a toasted sandwich schmeered with harissa, bowls of short-rib
chili are dangerously flavorful. Steaks and chops are treated with a
sophistication found in only a handful of other restaurants in town. Side dishes
are phenomenal. French fries and sautéed escarole should never be skipped,
neither should pastry chef Leah Bolfing’s tres leches cake or her meal-ending
amuse-bouche of five-spice caramel popcorn. The service, under the watchful
smile of St. Pierre, is attentive and smart.
This Is Hip
Two decades ago, the New French Bar was about as hip as it got, a riotous party
in a small space, absent pretense or affectation. 112 Eatery is organically hip
in the same way. It strikes every note perfectly. Neither restaurant was
developed in a conference room or with a focus group. That’s the nature of hip.
The level of urban sophistication and the spirited nature of Becker’s food are a
welcome respite from the overwrought restaurants that keep popping up all over
the metro, each with the same menu, each just as boring, none even close to
cool.
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